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AOC Blasted the “Shameful” Corporate Bailouts in the Senate’s Coronavirus Relief Bill


Representative Alexandria Ocasio-Cortez (D-NY) gave an impassioned speech Thursday morning, blasting the Senate for passing a $2 trillion stimulus package with extensive aid efforts for corporations. AOC’s blistering rebuke of the coronavirus economic aid package pointedly referenced the struggles the COVID-19 pandemic has brought to her home district in New York City, the U.S. epicenter of the outbreak.

“I represent one of the hardest-hit communities in the hardest-hit city in this country, Queens, New York,” Ocasio-Cortez said. “Thirteen dead in a night in Elmhurst Hospital alone. Our community’s reality is this country’s future if we don’t do anything. Hospital workers do not have protective equipment. We don’t have the necessary ventilators. But we have to go into this vote eyes wide open.”

Elmhurst Hospital in Queens not only lost 13 patients to COVID-19 in 24 hours, but there are lines for coronavirus testing that stretch down the block. Historically, the Elmhurst neighborhood has been heavily Latinx, which is notable as a Pew Research poll released this week showed the Latinx community is more concerned over the coronavirus’s health and finance ramifications than any other group.

The issues at Elmhurst Hospital are part of the city’s larger struggles to manage the outbreak: The Associated Press reported Thursday that a New York City nurse died from the coronavirus. Meanwhile, a viral photo captured medical workers without proper hospital gowns and wearing garbage bags instead.

AOC was also blistering in her condemnation of the bill’s corporate relief.

“What did the Senate majority fight for? One of the largest corporate bailouts with as few strings [attached] as possible in American history. Shameful!” she said. “The greed of that fight is wrong for crumbs, for our families, and the option that we have to is to either let them suffer with nothing or to allow this greed and billions of dollars, which will be leveraged into trillions of dollars, to contribute to the largest income inequality gap in our future. There should be shame about what was fought for in this bill and the choices that we have to make.”

Ocasio-Cortez reiterated on the House floor what she’s been demanding for days, which is that medical personnel need protective gear and equipment now. Last week on CNN, she urged President Donald Trump to invoke the Defense Production Act, which compels companies to mass-produce medical supplies and equipment, warning that not doing so would “cost lives.” In a Fox News interview last night, President Trump responded by calling AOC a “little grandstander.”





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Music

Hamilton Leithauser shares hypnotic new single ‘Don’t Check The Score’


Hamilton Leithauser has shared ‘Don’t Check The Score’, the third single from his upcoming new album ‘The Loves of Your Life’.

The new song from the Walkmen frontman follows previous singles ‘Isabella’ and ‘Here They Come’. The teaser video for the latter saw Leithauser get beaten up by Oscar-nominated actor Ethan Hawke.

Sharing news of the new single on Twitter, Leithauser was joined by actress Sienna Miller, who reminded fans of his album release date (April 10) before smashing a glass over the singer-songwriter’s head.

Listen to ‘Don’t Check The Score’ below:

Speaking on ‘The Loves of Your Life’, Leithauser said: “I wrote these songs about individual people. I wrote stories and I wrote music; and then I matched them up. Not one story was originally intended for the music it ended up marrying. These are people I know, and strangers I’ve come across in the last few years.

“All of the stories are based on some kind of truth, but I’m not afraid to get loose with the facts. Most are both fact and fiction, and some tilt pretty far in either direction. I guess people might call this ‘creative nonfiction’ or just ’embellished stories’. I wrote and recorded these songs in a studio I built for myself in New York. It’s a tight New York kind of space, and I’m jammed in with all sorts of instruments and equipment.”

‘The Loves of Your Life’ is released April 10 via Glassnote Records. You can pre-order it here.

Meanwhile, Interpol‘s Paul Banks has formed a new band with multi-instrumentalist Josh Kaufma and The Walkmen drummer Matt Barrick.

The Interpol frontman has worked on various side projects over the years, including his Banks and Steelz collaboration with Wu-Tang Clan‘s RZA, his work as Julian Plenti, and a rap mixtape under his own name.

Now, he has introduced Muzz, a collaboration with The Walkmen’s Matt Barrick, who as of late has been playing on Matt Berninger’s solo material, and Josh Kaufman, the journeyman musician best known for his supergroup, Bonny Light Horseman.





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Movies

Ridley Scott calls Donald Trump a “nutcase” over his handling of coronavirus crisis


Ridley Scott has called out Donald Trump for the way in which he’s handled the coronavirus crisis.

Speaking in a new interview, the legendary director/producer was asked how he thinks world leaders are handling the coronavirus situation.

“Particularly with this orange-headed fellow that’s running us, he’s a nutcase, isn’t he?” Scott told Variety, referring to the US president.

He continued: “Looking at the globalisation of the politicians that are running the world, half the time being run by idiots and the other time by despots, there are very few worthwhile ones, if you know what I mean. No one wants to go into politics. If anyone has half a brain they wouldn’t want to go into politics anyway, right?”

Also urging Boris Johnson “to limit what you can buy each time” British people go to the shops, Scott touched upon the way in which the UK is handling the crisis.

“People are buying so much food and then the food is rotting,” he said. “I mean, Jesus, Boris, get out your thinking cap, ’cause what we’re now talking on is an iPhone, a perfect coupon distributor to limit what you can buy. And that way, you have order. You must have order and calm.”

Boris Johnson
British Prime Minister Boris Johnson. CREDIT: Leon Neal – WPA Pool/Getty Images

Scott’s new movie The Last Duel, starring Ben Affleck, Adam Driver and Jodie Comer, is among the projects that have halted production due to the coronavirus outbreak.

Earlier today, Tom Hardy took to social media to praise the NHS for their work during the current coronavirus pandemic.

The Mad Max: Fury Road actor shared a graphic on Instagram this morning (March 27) that read: “THANKYOU Every member of the NHS.” Also displaying the NHS website address, the graphic’s text concluded with: “YOU ARE BRILLIANT.”

Meanwhile, Mark Blum, the broadway actor and star of the movie Desperately Seeking Susan, has died due to complications from the coronavirus. He was 69.

News of his death was shared by Off Broadway theatre company Playwrights Horizons and later confirmed by actor’s union SAG-AFTRA.





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Future

Coronavirus: OneWeb blames pandemic for collapse


Rocket launchImage copyright
ESA/CNES/ARIANESPACE

Image caption

OneWeb has contracts for multiple rocket launches to get all its satellites in the sky

Presentational white space

OneWeb, the high-profile London-based satellite start-up, has filed for bankruptcy protection in the US.

The firm, which has been building a network to deliver broadband across the globe, blamed the Covid-19 crisis for its inability to secure new investment.

OneWeb issued a statement saying it was laying off most of its staff while it seeks a buyer for the company.

The start-up recently launched the 74th satellite in a constellation planned to total at least 648 spacecraft.

The idea is that this network will provide high-bandwidth, low-latency internet connections to any point on Earth, bar Antarctica.

Rumours of a collapse had been swirling around OneWeb this past week. It had raised £2.6bn to implement its project but experts in the space industry speculated that double this sum would probably be needed to complete the system.

The statement released by OneWeb in the early hours of Saturday, London time, said the company had been close to obtaining financing but that, “the process did not progress because of the financial impact and market turbulence related to the spread of Covid-19”.

CEO Adrian Steckel added: “Today is a difficult day for us at OneWeb. So many people have dedicated so much energy, effort, and passion to this company and our mission. Our hope is that this process will allow us to carve a path forward that leads to the completion of our mission, building on the years of effort and the billions of invested capital.”

Image copyright
Arianespace

Image caption

OneWeb has a factory in Florida designed to turn out two satellites a day

OneWeb’s plan was first presented in detail to the media at London’s Royal Institution in 2015.

Early supporters included Airbus, Intelsat, Bharti Enterprises, Coca Cola, Group Salinas, Hughes Network Systems, Virgin Group and Intelsat. Softbank became a major investor.

But building satellite constellations is a very expensive undertaking and the history of the sector is littered with companies that also ended up seeking Chapter 11 protection with the US Bankruptcy Court.

Some have managed to pull through – the classic example being Iridium, which launched the first satellite phone network. It recently put up a second-generation constellation in the sky.

OneWeb is seeking to do the same. As well successfully launching 74 satellites, it has valuable radio spectrum rights and has built getting on for half of the 44 ground stations needed to operate its constellation. It will hope this progress will prove attractive to a new owner.

OneWeb has been in competition with California entrepreneur Elon Musk’s SpaceX company to build a satellite internet mega-constellation. His rockets are regularly putting up 60 satellites at a time.

Amazon founder Jeff Bezos, the world’s richest man, is also working on a concept he calls Kuiper.

If no buyer for OneWeb or its assets can be found, the UK government is ultimately responsible for the 74 spacecraft in orbit.

As the licensing state, it will carry the liability if these satellites are involved in a collision.

Image copyright
ONEWEB

Image caption

OneWeb has control rooms in London and Virginia to monitor and command the satellites

and follow me on Twitter: @BBCAmos





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Technology

Beyond the Page now available on Stadia


By Stephany Nunneley,
Friday, 27 March 2020 18:38 GMT

Lost Words: Beyond the Page, the atmospheric puzzler revolving around the story of a young girl, is now available on Google Stadia.

Lost Words: Beyond the Page explores a young girl’s journey as she faces the reality of losing a loved one.

In the game, you will interact with the words in Izzy’s diary to solve puzzles and build platforming segments to progress through the landscape. As you go through the words on each page, they will get you one step closer to solving puzzles to unlock the next chapter.

Penned by Rhianna Pratchett (Mirror’s Edge, Tomb Raider), the game was developed by Sketchbook Games formed of veterans from Fable 2 and the Harry Potter games.

It is set to be released on PlayStation 4, Nintendo Switch, Xbox One, and PC in 2021.

Sometimes we include links to online retail stores. If you click on one and make a purchase we may receive a small commission. For more information, go here.





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Tv Shows

The Mandalorian Bottleneck Gallery Posters Are Gorgeous


The fine folks at Bottleneck Gallery have a little joy to spread today by way of everyone’s favorite cuddle buddy: Baby Yoda. Indeed, today at 12pm ET Bottleneck Gallery is releasing three new The Mandalorian posters—one of which is a timed edition, meaning you don’t have to try and beat out other buyers because it’s available to purchase through Sunday.

First up are two Mandalorian prints by Dave Perillo These are not timed, so you’ll need to be quick on the draw to pick them up. But they’re fantastically episode-specific posters for the Disney+ Star Wars show focusing on “Chapter Two: The Child” and “Chapter Three: The Sin.” The font is a fantastic nod to classic spaghetti westerns, which were clearly an influence on Jon Favreau’s TV series.

And then there’s the timed edition: “Want Some Soup (The Mandalorian)” by Christian Waggoner. It’s a giclee print and it is adorable. It goes on sale today at 12pm ET and will be available to purchase for $45 through Sunday (March 29th) at 11:59pm ET.

Check out the Mandalorian posters below and head on over to Bottleneck Gallery’s website to buy them.

Chapter Two (The Mandolorian) by Dave Perillo
Screen print
18 x 12 inches
Hand-numbered edition of 200
$40 / Set: $80

the-mandalorian-poster-chapter-2-dave-perillo

Chapter Three (The Mandolorian) by Dave Perillo
Screen print
18 x 12 inches
Hand-numbered edition of 200
$40 / Set: $80

the-mandalorian-poster-chapter-3-dave-perillo

Want Some Soup (The Mandalorian) by Christian Waggoner
Giclee
12 x 12 inches
Hand-numbered timed edition
Edition size will be determined by the number of prints sold
through Sunday (3/29) @ 11:59PM ET
$45

the-mandalorian-poster-baby-yoday-christian-waggoner





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Fashion

The Puma Clyde Hardwood Alt Arrives Next Week • KicksOnFire.com


Releasing next week, get a good look at the Puma Clyde Hardwood in the Alt colorway.

The Puma Clyde Hardwood is inspired by the original PUMA Clyde that Clyde Frazier wore on the court in the 70s. The model boasts an OG look paying tribute to PUMA’s rich sports heritage while designed with a lifestyle-first inspired construction. Updated to include today’s latest performance technology, the result is a perfect hybrid shoe, designed to be worn seamlessly on and off the court. Key features include vintage materials and old school design lines, while the on-court performance of the shoe includes engineered lacing systems, a ProFoam midsole, and a specially tuned traction pattern for the court.

The Puma Clyde Hardwood Alt sports a Peacoat-Pink Dogwood color scheme. The split-colored upper that uses both mesh and leather is accented by the hits of color noted on the lining, heel and eyelets. A translucent Puma stripe on the side panels, White heel overlay and translucent midsole complete the look.

Retailing for $120, look for the Puma Clyde Hardwood Alt to release on April 1st at select retailers and Puma.com.

via: Puma

Available Now on Kixify & eBay



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Football

The story behind the split of Tom Brady, Bill Belichick and the Patriots


WE LOOKED FOR clues. Tom Brady‘s final news conference — was that a clue? We wondered what he would say after the New England Patriots lost to the Tennessee Titans in the first round of the playoffs. More than that, we wondered how he would act.

“Well done is better than well said,” his father always told him, and so we’d been trained to watch his body language for hints into his thinking. We’d watched him as he bit his lip and gutted through the Patriot Way when Bill Belichick would cut or trade key players; watched when he stood alone during his Deflategate news conference; watched when he sat onstage with Jim Gray in 2018 and, in response to a question about whether he felt appreciated by his bosses, blurted out, “I plead the fifth!”; watched to see how he handled a postseason win, when he would hug Belichick, or loss, when he could look almost physically ill.

Facing the media after the loss to the Titans seemed to warrant whatever physically ill looks like for a 42-year-old quarterback who had thrown a pick-six on his final pass. But this time felt different. After Belichick finished his news conference, Brady emerged from the locker room — no, he shot out of the locker room, with a flurry of people behind him. It was unclear whether he had even showered or just thrown on his jeans, shirt and stocking hat. A man who always looked pristine now didn’t care. Behind a lectern he had stood at hundreds of times before, he did something he never did after a loss: He took his time. He was unrushed. He smiled a bit. He answered every question, many of which concerned his future as a Patriot. He took last questions even after we were told that he would answer just one last question. He did not say anything revelatory, but he carried himself like a person who knew this might be the last time he did something he had done many times.

Then he picked up his bag, hugged safety Devin McCourty, who was next at the podium, and whispered, “See ya tomorrow.”

No one knew what tomorrow held. For the first time in his career, Brady would be a free agent, with the emphasis on free. But already he looked liberated. A few minutes later, he walked with purpose through the tunnel at Gillette Stadium — walked fast, walked to put off a clear vibe that he did not want to be stopped — with his sleeping daughter in his arms, his wife at his side and his assistants behind him. Brady entered a parking lot in the dark New England rain, and it seemed obvious, if not official, that a partnership that spanned two decades was over.


ON MARCH 17 — St. Patrick’s Day, a day on which many of us were told not to leave our houses for the foreseeable future due to a rapidly spreading virus — Tom Brady announced that he was moving. He didn’t say where at first, but soon we learned that it was to the Tampa Bay Buccaneers, an icon joining one of the least iconic teams in sports — a storied career as the starting quarterback in New England that began shortly after 9/11 now bookended by another international crisis. Of course, Brady did not just leave the Patriots. He sparked a debate over the meaning of the past, setting off a war for credit for six Super Bowls. Was it Bill? Was it Tom? History is now up for grabs, and both men know that how we think of them now is not how we will think of them in a decade.

Once the shock of Brady’s announcement settled in — it still seems strange to imagine him in another uniform, devising a game plan with another coach — the question of why consumed us. What did Brady need that Bill Belichick and Robert Kraft failed to deliver? Was it an extension? Was it joy? Were the relationships, strained for the past few years, broken beyond repair?

Nobody knows what motivates great athletes. It’s as mysterious and unique as their own DNA. Brady has struggled to explain it for himself. Sometimes the motivation came from anger that he was draft pick No. 199; other times from understanding and learning from why he was pick No. 199. But in interviews with people close to Brady, team and league executives, coaches and owners involved in the Brady sweepstakes, it’s clear that there’s a feeling he is chasing, and has been chasing for years.

Not just to prove the Patriots wrong, but to find — no, rediscover — an essential version of himself.


THERE HAVE BEEN many moments in recent years when the relationship between Brady and the Patriots had been strained — in the years following his knee surgery in 2008, when he spent more time in Los Angeles and less in Foxborough, culminating in a “disconnect,” as Yahoo Sports reported, in contract talks in June 2010; during Deflategate, when many close to Brady felt that Kraft and Belichick had left him alone to take the fall, even after he had defended the franchise during Spygate and throughout his career. But it all reached a fever pitch in the fall of 2017. The team was defending its fifth Super Bowl, and for the first time, Brady used his platform to advocate a philosophy other than the Patriot Way. He used it to advocate his own business, TB12 Sports, and its accompanying book, “The TB12 Method,” which he wrote with the help of his trainer and friend, Alex Guerrero. The issues in the Patriots building caused by The Method — how it pitted players against the team training staff, how Belichick felt forced to curtail Guerrero’s access — are widely reported and well-known, but the heart of the problem between Brady and Belichick in late 2017 was the same as it was in March 2020: Brady wanted a contract extension.

Brady made it clear that he was playing football until his mid-40s. He preferred to sign a deal to ensure that he retired a Patriot, but if the team refused, he was fine moving on. He wanted clarity. He met with Belichick, and the meeting ended with a “blowup,” a source said. He met with Kraft. He got mixed signals. Team president Jonathan Kraft told NFL Network in January 2018 that Brady had “earned the right” to decide when he wanted to stop playing for the team. On the other hand, that right never came in the form of a contract extension, at least not one Brady felt would last the rest of his career.

After the Patriots lost to the Philadelphia Eagles in Super Bowl LII, Brady was deeply dissatisfied. The offense had put up 613 yards with no punts. When Belichick addressed the team upon its return to Foxborough, Brady mostly stared straight down, barely glancing up at his coach. Brady told people in the building that he wasn’t coming back. Needing distance, he detached from the team that spring. He left passive-aggressive comments on social media. He pleaded the fifth. He looked lost at the end of his Facebook docuseries, “Tom vs. Time,” saying of his passion, “What are we doing this for? … You gotta have answers to those questions.” ESPN’s Ian O’Connor, in his book “Belichick,” reported that Brady wanted a “divorce” from his coach. And Brady made it clear to author Mark Leibovich in the book “Big Game” that he was fed up with Belichick’s culture, which is to say that he was fed up with Belichick. When asked in Leibovich’s book how he would feel if the Patriots released him, Brady was blunt: “They can do whatever they want.”

“These last two years have been very challenging for him in so many ways,” Brady’s wife, Gisele Bundchen, disclosed in “Tom vs. Time.” “He tells me, ‘I love it so much, and I just want to go to work and feel appreciated and have fun.'” Her words didn’t just serve as confirmation of long-standing issues inside the building. They set a new bar, to which we should have paid more attention: Brady wasn’t just looking to win Super Bowls, victory at all costs, the ethos of most of his career, fabulously successful and spectacularly unhealthy. He wanted what everyone wants from an employer: to feel valued and to love work. They seemed like two reasonable asks — until Brady realized that in New England, under Bill Belichick, he might be asking the impossible.


WE LISTENED AS those close to Brady insisted he would be the first to go. Tom Brady Sr. once told me that once Belichick found a quarterback “who is better for a dollar less, [Tom will] be gone.” Brady Sr. also told Leibovich, “It will end badly.” Some close to Brady actually looked forward to that day, in a weird way, believing that the team would collapse without him — without the human backstop who bailed out everyone’s mistakes, who helped Belichick to all but two of his winning seasons as a head coach, who engineered five Super Bowl wins when trailing or tied in the fourth quarter.

In August 2018, Brady received a revised contract — with incentives adding up to $5 million, boxes he never checked. He was mostly throttled in Super Bowl LIII against the Los Angeles Rams, but with the game tied 3-3 and less than eight minutes left, as always, Brady delivered. In maybe his last legacy throw as a Patriot, he hit Rob Gronkowski down the sideline between three defenders to set up what would be the decisive touchdown. In retrospect, the win might have served as a sign that the team could compete at a high level without him. The franchise has always been ruthless in its internal evaluation of players. Its scouting reports would shock fans if they could see them, even when it came to Brady — especially when it came to Brady. So a sixth Super Bowl earned him nothing but another difficult negotiation. NBC Sports Boston reported that last August, Brady was prepared to walk out of camp in anger. Eventually, he signed a new deal, spun as an extension. It was, in reality, a one-year deal, which he could void at the end of the season. He put his Brookline, Massachusetts, home up for sale, and so did Guerrero. A quarterback who once starred in a cheeky comedy sketch in which he yelled “I’m the f—ing quarterback!” would now refer to himself as just a Patriots “employee.”

Brady seemed invigorated after the Patriots signed Antonio Brown in September. Weirdly invigorated — weirdly off brand for Brady — considering all of the bizarre behavior that led to the wide receiver’s release from the Raiders. Brady seemed to see Brown not just as a matchup nightmare, like he had in Gronk and Randy Moss, but as a rehabilitation project, allowing him to stay at his house, taking him under his wing, posing for selfies with him on social media. But it lasted one game. Brown was accused of rape, and after a Sports Illustrated article detailed more troubling behavior — after Brown sent threatening texts to the woman who accused him — Kraft stepped in and, according to NBC Sports Boston, “insisted” that the team release Brown. It was a business decision, from an owner who has always claimed to not be involved in football decisions. When Brown apologized to the Patriots on social media, all but begging for another chance, Belichick made it clear that it wasn’t his call. “You’ll have to talk to Robert about that,” he said.

This wasn’t fun, and Brady didn’t feel appreciated. In the words of a confidant, “He was like, ‘Why am I doing this?'” The Patriots’ defense was winning games, but the offense was stagnant. Brady told friends that he felt Belichick had taken the offense for granted because of how good it had been for so long. Brady told NBC that he was the “most miserable 8-0 quarterback in the NFL.”

But it still seemed inevitable, when the Patriots took on the Titans in the playoffs, that somehow, someway, Brady and Belichick would find a way. In the fourth quarter, the Patriots took over at their own 11-yard line, trailing 14-13 with 4:44 left. The crowd summoned that familiar energy in anticipation of Brady magic. Sure enough, he hit James White over the middle for 20 yards and Phillip Dorsett II for 6 yards. He then dropped back and looked left to Julian Edelman, who was running a short out route, a route the two of them had executed to perfection dozens of times in games, hundreds of times in practice, an automatic connection …

… but the ball bounced off Edelman’s stomach and fell to the ground.

The air left the wet stadium, from the stands down to the Patriots sideline. Brady misfired on third down and the Patriots walked off the field. On the next possession, he threw a desperation pick-six. After 19 years of excellence, after nine Super Bowl appearances and six wins, after Mo Lewis, after the Tuck Rule Game and the spike in the snow, after throttling “The Greatest Show on Turf,” after Adam Vinatieri‘s clutch kicks, after the intentional safety on a Monday night against the Denver Broncos, after Deion Branch, after Champ Bailey’s interception in 2006, after Troy Brown forced Marlon McCree to fumble, after blowing a 21-3 lead to the Colts, after Spygate, after 16-0 and the Helmet Catch, after Matt Cassel’s 11-5 year, after Mario Manningham, the comeback against the Saints, “On to Cincinnati,” the “Baltimore” formation, Malcolm Butler, Deflategate, 28-3, the TB12 Method, Jimmy G, the Philly Special, Dee Ford lining up offside — after all the glory and fines and suspensions, Tom Brady and Bill Belichick’s Patriots were exhausted.

It was over.


BUT NOT OFFICIALLY, of course. Nobody, not even those close to Brady, knew officially. Brady was in Miami for Super Bowl LIV, attending parties and NFL 100 festivities. So was Kraft, and league executives who conversed with him came away with the impression that his dream of Brady retiring a Patriot was unlikely. Nobody was budging. Brady wanted a commitment; the Patriots would commit only year to year. The tenet that had made the Patriots so hated and successful over the years — the emotionless pursuit of victory — seemed to finally touch the untouchable quarterback.

After the Super Bowl, Brady was back in Boston, in a house his family had largely emptied out. He was acting on his own, quietly putting out feelers, leaving owners and executives to wonder whether he had a free-agency plan. To many of the executives who did due diligence, Brady seemed so driven by an animus toward Belichick that they couldn’t tell if he actually wanted a fresh start or if he just needed leverage to force Kraft to step in.

Reporters took sides. Some of us believed he would leave; some of us believed he would stay. All year, ESPN’s Adam Schefter and Jeff Darlington and NBC Sports Boston’s Tom E. Curran had warned fans this might be it in New England. Rumors flew. The Colts. Raiders. Chargers. Titans. Dolphins. Panthers. Broncos. One hot piece of speculation in league circles gained steam after the Pro Bowl, when reports emerged that Drew Brees was considering a move to broadcasting. It opened the door: Brady to the Saints, playing for Sean Payton, in a dome. Fire emojis everywhere. But no: Brees decided to return to his longtime home, opining that Brady would return to his longtime home, as well.

By early March, some reports claimed that Brady’s options were down to the Patriots, Titans and, surprisingly, the 49ers. Brady made it clear through various channels that the team of his childhood would be the team of his future, if the 49ers wanted. The 49ers discussed it, but in the end, the team was committed to Jimmy Garoppolo. The Titans figured to be the likely destination, especially after Brady and Edelman were filmed FaceTiming with Titans coach Mike Vrabel during a Syracuse basketball game. Edelman and Brady sat courtside, and at one point, Edelman said to a camera, “He’s coming back!” Brady looked less than thrilled and mumbled something that set off a social media hysteria of lip-reading. But the Titans preferred Ryan Tannehill over Brady — a decision that would have been unthinkable a year ago.

A deadline neared: The league year would begin on March 18 at 4 p.m. ET. A call earlier that month between Brady and Belichick ended without an agreed-upon extension, with Brady’s camp viewing it as further proof that the team wanted him only under its rigid terms and the team exploiting the chance to leak that it had an offer for him and that the ball was in Brady’s court. For all of Belichick’s greatness, and for all of the praise that he had thrown on Brady in public and all of the hard coaching he had dished in private, the relationship had run its course.

Brady needed something new.

On Monday night, March 16, Brady called Kraft and made the short drive to his house for a conversation about which he had long imagined. Kraft, in a round of phone calls to Patriots beat writers the next day, would say that he assumed Brady was visiting to finalize a new contract. “I thought he was coming over as he has for the last 10 years to quietly get things done,” Kraft told NBC Boston, despite reports that he would leave all negotiations to Belichick. But Brady told Kraft that it was over, and the owner would leave little doubt as to why. “Think about loving your wife and for whatever reason, there’s something — her father or mother — that makes life impossible for you and you have to move on,” he told NFL Network.

In a social media announcement the next morning, under the headline of “Forever a Patriot,” Brady informed the world that he would not be forever a Patriot after all.

Three days later, at 9:31 a.m. on March 20, the Bucs tweeted a photo of Brady in his kitchen, wearing a black hoodie, signing his new contract. He looked young, but more than that, he looked relieved. He had his pick of teams, the Chargers or the Bucs, and he went with what felt right. Tampa is a short flight to family in New York. The weather is warm. Head coach Bruce Arians has spent a career not only fostering a fun environment but also nurturing and learning from some of the game’s best quarterbacks, from Peyton Manning to Andrew Luck. “He’ll win some games down there,” an executive from a rival team said. “He’ll change the culture of the building.”

In the flurry of the past few years, especially the past few months, it was easy to forget. But maybe, in wondering what motivates the most accomplished quarterback ever, we lost track of a simple and human fact: Sometimes we chase what makes us happiest.


THE END IN New England made some of us remember the beginning, before anyone debated whether it was Bill or Tom, before there was a legacy to fight over. In November 2001, Brady pulled up to the old Foxboro Stadium. He and I had a meeting at the team shop. Brady was wearing a gray sweatsuit with a large backpack filled with beer to be delivered to teammates after he had lost a locker room bet on the previous weekend’s Michigan-Michigan State game. We had both recently graduated college, both getting our respective career breaks at the same time. It was a slight bond. Brady asked the first question, about 9/11 and what it was like to be in New York City that day. It hovered over everything, the way COVID-19 does today. But we soon moved on to football.

Brady said that the game had always come easy to him, which seemed strange coming from a sixth-round pick. But there was a sincerity and purity — a sincere purity — to it. His Michigan years had broken him, and he had reassembled himself, and while he played football to win, yes, and to achieve the impossible, yes, and because his decision-making was impeccable, yes, and because, on the most basic level, he knew he could throw the damn ball as well as anyone ever, football was about something deeply personal to him. It was about self-actualization. What could he become? What could he prove, not to us, but to himself? He was his most essential and true self out there, and he loved that feeling, maybe to an addictive and unhealthy degree, but he meant it to the bottom of his soul, and he means it now to the bottom of his soul.

After about 40 minutes, the conversation ended. He had work to do, even though it was well into the evening. So it was, so it will always be. We walked outside. Next to us, in the short distance, was the skeletal frame of Gillette Stadium, dull steel in the darkness. Gorgeous, Brady said, before adding:

“I hope I play in it.”



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How to Trim Your Eyebrows, No Matter How Bushy They Are


Trimming eyebrows is one of those grooming steps that many men file under “unnecessary, not for me.” Which is a shame, because all of us can benefit from an eyebrow trim. The simple, quick practice—done once every couple weeks—will enhance whatever shape your eyebrows currently exhibit.

That’s because trimming your brows isn’t the same as plucking them—it’s not the time to downsize or reshape your brows. So, if it’s gonna be bushy and beautiful, now you’ve got big brows that won’t grow outside their bounds. Same goes for thin or normal eyebrows: Trimming them prevents periodic flyaways and that egregiously long strand that somehow snuck out there (we all know that hair). Sure, this isn’t as dire as a good haircut or a nail trim, but we file it under “it’s all in the details”. And eyebrows are the details. (Just ask our bushy-browed grooming columnist about his illustrious pair.)

So, get ready. You’ll need a few tools, a steady hand, and a baseline level of comfort looking at yourself in the mirror.

The Tools You Need

A mustache comb

Get a comb that’s small enough to separate the hairs: A mustache comb works perfectly here. It is possible to trim your eyebrows without a tiny comb—some guys use a new, flat-top toothbrush for the task—but having one is the first step to intentional, well-manicured brows.

Kent mustache comb

At 2.8 inches, it’s just big enough for the small job at hand.

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Tiny scissors

You can get a pair with a rounded-tip if you don’t want anything sharp near your eyes (typically these are for nose-hair trimming), but they tend to be difficult to maneuver since you’re trimming so close to the skin. We’d recommend getting purpose-built pointed-tip eyebrow scissors.

Tweezerman brow scissors

Tweezerman’s stainless steel eyebrow scissors also come with a brush.

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How to Trim Your Eyebrows

Study your face
Since trimming eyebrows is something that could easily take a dark turn (you over-trim and all of a sudden you have wisps for eyebrows), the first thing you need to do is study your brows and their shape. Look at the arch, the ends, and all that. The goal here isn’t to compromise this perfection. Again, if you’re considering a new shape, plucking is a different game altogether. But for now, you’re simply grazing a bit off the top. So that’s all we’re gonna do with these steps: Simply snip the ends and clean it all up. Don’t lose track of that intent.

Comb upward
Take your teeny tiny comb and coach everything straight up, on the vertical. You can also comb up and back against the grain so that you make everything look as bushy and gnarled as possible. See how long those hairs actually are?

Snip along the brow line
Now take your pint-size scissors and get real close to the mirror. Snip any hair that stands up over your brow line. Again, don’t compromise the shape at all, but simply trim away at any of the lawn that needs mowing. When you’re done, you should be looking at your exact same eyebrow shape. You can now comb the brow back into place, and sigh with relief that you look exactly the same as when you started, just a little tidier.

Don’t use your beard trimmer
Please avoid using an electric clipper unless it’s specifically designed to trim eyebrows. And don’t use big scissors, either. You’re gonna do something you regret.

Philips-Norelco detail shaver

This device will also tidy up your sideburns, nose and ear hairs, and neckline. It’s all in the details.

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