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Lorna Doom, Bassist in the Punk Band Germs, Is Dead at 61

Germs became a resident band at the Los Angeles club the Masque and thrived on shock value. At some shows, Darby Crash would cut into his chest a symbol that he called “circle one”; Germs fans showed loyalty by giving one another cigarette burns. Laura Jane Grace of the band Against Me! posted on Twitter, “I can still see the ‘Germs burn’ on my wrist from when I was 14 years old.”

Germs’ only album, “(GI),” was produced by Joan Jett and released in 1979. Its lyric sheet revealed the poetic intelligence of the words that Darby Crash would drunkenly yowl, slur or skip during performances. The band also recorded six songs for the William Friedkin film “Cruising,” although only one, “Lion’s Share,” was used.

During the late-1970s punk era, Germs shows grew tumultuous. “It all got terribly violent and extremely frightening towards the end,” Ms. Ryan told The Guardian in 2008. “There was this influx of punks from Southern California who latched on to our gigs and basically made it impossible for us to play without a riot happening. That was the beginning of the end.”

By 1980, most promoters were unwilling to book the band. “Now we can’t play anywhere,” Darby Crash complained in Penelope Spheeris’s 1981 punk documentary, “The Decline of Western Civilization.” He started another band, but regrouped Germs for a final show on Dec. 3, 1980. Four days later, he was dead.

Ms. Ryan moved to New York City with her boyfriend, who was the bassist in Joan Jett’s band, the Blackhearts. Born Gary Moss, he took Ms. Ryan’s last name as a stage name when he joined the band in 1979, performing as Gary Ryan. They were married in the early 1980s and divorced in the 1990s.

Ms. Ryan is survived by her brother, Richard Ryan.

In New York City, Ms. Ryan worked for art galleries. She returned to California in the early 2000s to help care for her ailing father, and worked there as a personal assistant and a bookkeeper. She lived in Agoura Hills, Calif.

Ms. Ryan was an adviser for “What We Do Is Secret,” a 2007 movie about Germs that featured Shane West as Darby Crash and Bijou Phillips as Lorna Doom. After singing with the reunited Germs at a party for the film, Mr. West went on to tour as lead singer with the surviving band members. In clubs, and on the Warped Tour in 2006 and 2008, Germs performed for a younger, more well-behaved generation of punk fans.

“It was totally surprising to get the band together again,” Ms. Ryan told The Guardian, “but it’s also the most comfortable thing in the world.”

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12 Pop, Rock and Jazz Concerts to Check Out in N.Y.C. This Weekend

KEYON HARROLD at the Blue Note (Jan. 21-23, 8 and 10:30 p.m.). Harrold is technically gifted enough to have recorded the Miles Davis trumpet parts heard on the soundtrack to the 2016 film “Miles Ahead.” He’s also a ruggedly modern thinker, whose own most recent album draws inspiration from radio hip-hop, classic quiet storm, cinematic scores and contemporary jazz. He has long performed in the backing bands for figures like Maxwell, Jay-Z and Rihanna, but these days he is focusing more squarely on his own bandleading career. A native of Ferguson, Mo., Harrold here will perform a program titled “Jazz for Reflection, Protest, Justice and Unity.”
212-475-8592, bluenote.net

INGRID JENSEN QUINTET at the Birdland Theater (Jan. 23-26, 7 and 9:45 p.m.). A trumpeter who’s as versatile as she is vigorous, Jensen released a standout album last year with the tenor saxophonist Steve Treseler. Titled “Invisible Sounds,” it pays tribute to Kenny Wheeler, an influential trumpeter and composer who died in 2014. Jensen and Treseler reinterpret nine of Wheeler’s compositions, which tend to be lyrical and songlike, whether moving at a quick clip or drifting as slowly as cloud cover. Though Jensen is the nominal bandleader for the gigs on Wednesday and Jan. 24, Treseler will also be there; they’ll be joined by Christine Tobin on vocals, Gary Versace on piano, Martin Wind on bass and Jon Wikan on drums. On Jan. 25 and 26, Jensen will revisit the material from her 2003 disc, “Project O,” with the pianist Gary Versace, the bassist Richie Goods and the drummer Jon Wikan. (The tenor saxophonist Joel Frahm will sit in on Jan. 25 only.)
212-581-3080, birdlandjazz.com

KASSA OVERALL WITH JASON MORAN at the Jazz Gallery (Jan. 18, 7:30 and 9:30 p.m.). In December, Overall — a drummer, producer and sometime rapper — launched a monthly residency at the Gallery called “Time Capsule.” He is welcoming a different high-profile pianist each month and will record every performance. The resulting tapes will form a capstone product, a hybrid recording that blends chopped-up elements from different performances. (There’s a visual element, too: Overall is collaborating with the artist Nate Lewis, who will create a work to accompany the record.) For this month’s show, Overall welcomes the eminent pianist Jason Moran.
646-494-3625, jazzgallery.nyc

MATANA ROBERTS, HALEY FOHR AND SUZANNE LANGILLE at Issue Project Room (Jan. 19, 7 p.m.). In the first show of Issue’s 2019 season, Roberts, an alto saxophonist and multimedia artist, will perform a new work from her continuing series “I Call America,” using video, text and improvised music to address the intersection of societal concerns and personal frustrations. In a separate set, Haley Fohr — best known for her experimental folk outfit Circuit des Yeux — will perform a solo vocal work titled “Wordless Music.” And Suzanne Langille, another singer, will lead a quartet in an exploration of the overlap between vocal and instrumental expression.
718-330-0313, issueprojectroom.org

For an overview of January and February’s cultural events, click here.

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