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Jhené Aiko Shares New Song “P*$$Y FAIRY (OTW)”: Listen

Jhené Aiko has shared a brand new song. It’s called “P*$$Y FAIRY (OTW).” The new single marks Aiko’s first track of the year, and it arrives with an accompanying music video, featuring Aiko and a partner performing a choreographed dance for the song. Check it out below via Def Jam.

In November of last year, Aiko and Big Sean teamed up for a track called “None of Your Concern.” Her last studio album was 2017’s Trip, but she’s released a handful of singles since, including “Triggered,” “Sativa” (with Rae Sremmurd), and more.

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Trending News

Fans Think Mac Miller’s Posthumous Album “Circles” Features Ariana Grande

Following the release of a posthumous single titled “Good News,” Mac Miller’s family unveiled Circles, an album that was intended to be a follow up to Swimming. As fans continue to spend time with the release, a project that was started by Mac and producer Jon Brion before Mac’s death, some believe one song contains a special guest — Ariana Grande.

As Vulture reported, on Twitter, a number of users have noted that the single, “I Can See” appears to include vocals that sound similar to Ariana’s singing. “Low key i am pretty sure it’s ariana’s vocals on “i can see” ??? i’m crying,” one user wrote. Some also pointed to the fact that Ariana posted the album cover in her Instagram Story.

Ariana hasn’t yet addressed the social media theories, but it wouldn’t be out of the question for the pop star to show her support. As fans know, Mac and Ariana had previously dated, and although they later made the decision to break up, the “7 Rings” singer spoke fondly of the rapper, even calling him an angel in her hit single, “Thank U, Next.” After Mac’s death, Ariana had posted a simple social media tribute to the performer, sharing an old photograph of Mac. There was also some speculation that Ariana had adopted Mac’s dog Myron, too.

Mac and Ariana had also worked together on music in the past. First collaborating on Ariana’s 2013 debut album, the pair later released “My Favorite Part,” a single which included a duet.

Mac’s family had addressed their intentions with the release of Circles in a previous Instagram post, writing, “We simply know that it was important to Malcolm for the world to hear it. One of the most difficult decisions in the process is how best to let people know about it — how to communicate meaningfully while keeping sacred what should be kept sacred.”

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Want more from Teen Vogue? Check this out: Mac Miller’s Family Releases His First Posthumous Single, “Good News”

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Commes des Garçons under fire for cultural appropriation with cornrow wigs

People are wigging out over these wigs.

On Friday, Japanese fashion brand Commes des Garçons held a Fall 2020 menswear presentation in Paris — but it wasn’t the looks that rankled people on Twitter.

The show featured models in oversized lace-front wigs designed to resemble cornrows, which were primarily worn by white models.

Social media users were quick to call out the brand for appropriating black culture. “lmaoooo why?!” tweeted Canadian fashion designer Tani, in a post that has since earned over 2,000 likes and nearly 600 retweets.

“Who the f - - k thought this was a good idea?!” tweeted one user, while another said, “Wtf am I looking at?? A male Rachel Dolezal??”

Critics also took issue with the wigs’ sizes. In Fashionista, Whitney Bauck writes, “These wigs also were often not fitted all that well to the models’ heads, taking the look from offensive to offensive and messy-looking, which adds insult to injury with regards to a hairstyle that highlights neatness.”

This isn’t the brand’s first brush with race-related controversy. In 2018, Commes des Garçons was accused of avoiding working with black models.

Reps for the brand didn’t respond to The Post’s request for comment.

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2020 NFL Draft: RB class still talented at the top despite Travis Etienne returning to Clemson

Travis Etienne shocked the masses by deciding to return to Clemson for this senior season instead of entering the 2020 NFL Draft, but while not as tremendous now, the long-hyped running back draft class is still talented. 

After Etienne’s decision on deadline day, let’s reassess the group of ball carriers who’ll be available in April. 

Tier 1

Jonathan Taylor, Wisconsin
J.K. Dobbins, Ohio State
D’Andre Swift, Georgia
Cam Akers, Florida State
Zack Moss, Utah

After back-to-back 2,000-plus yard campaigns at Wisconsin, Taylor made the leap from Madison to the NFL, and rightfully so. At 5-foot-11 and 220 pounds, he has ideal feature back size, outstanding vision to see blocks as they materialize, plus cutting skills and track speed down the field. The front-runner to be the first back off the board, Taylor could hear his name called in Round 1 but is most likely going to be an early second-round selection. 

Highlighted in his huge performance against Clemson in the CFP semifinal, Dobbins has the low center of gravity, power, and lateral juice to accumulate extra yardage in a variety of ways. He’s thick in his lower half and his powerful leg churn allows him to push through weak tackle attempts with good regularity. 

Swift is a jagged, flashy runner who won’t wow consistently, then will hurdle a linebacker and cut the second he lands to pull of a true highlight-reel run. He averaged over six yards per carry in each of his last two seasons at Georgia and is an efficient, decently linear runner with plus contact balance and high-end receiving skills. Despite all that, I do think it’ll take him time to become as effective in the NFL as he was in college because he’s not a truly make-you-miss back with phenomenal acceleration.

Though a touch smaller than the other backs in this group, Akers exceeded expectations not based on his big-time recruiting status but the state of the Seminoles offensive line during his time in Tallahassee. A low-center-of-gravity, powerful back with springy feet and deceptive speed down the field, Akers has fringe franchise back skills and should be a fun feature in an NFL screen game instantly. 

South Florida native Moss landed at Utah and was a bouncy battering ram who displayed impeccable patience as blocks occurred in front of him. Moss isn’t super explosive but has arguably the best jump-cut skills in the class and finishes runs as hard as anyone. He came back heroically from his torn ACL in 2019 by averaging 6.0 yards per carry with 15 scores in 2019. 

Tier 2 

Anthony McFarland, Maryland
Clyde Edwards-Helaire, LSU
Ke’Shawn Vaughn, Vanderbilt 

McFarland is arguably the most electric runner in the class, with instant acceleration, scary change-of-direction capabilities, and long speed you don’t see coming until he’s running past everyone down the field. Maryland’s blocking was average in 2019 but McFarland was a problem in space his past two seasons for the Terrapins. In today’s NFL, elusive, explosive backs thrive. McFarland is that type of back. Don’t be surprised when he outplays his draft position. 

For as eye-poppingly awesome as McFarland is moving in a straight line, Edwards-Helaire is that fun bouncing laterally to avoid tacklers behind the line or close to it. His smaller, squatty frame allows him to naturally win the leverage battle against tacklers, and he runs with an immensely hard-nosed nature. As he demonstrated often in 2019 and the national title game, Edwards-Helaire is simply not easy to corral, and he finds extra yardage in small space or when he sees a defender on the perimeter. 

A smooth, big back with fluid cutting skills and powerful legs, Vaughn was better in 2018 than he was a senior, but because of his size and experience navigating lanes on inside runs, he’ll be a feature back in the eyes of a handful of teams. While he won’t run away back defensive backs down the field, his contact balance is well above average and he has a masters degree in turning a two-yard run into a five-yarder.

Tier 3 

Eno Benjamin, Arizona State
Lamical Perine, Florida
AJ Dillon, Boston College

Benjamin is a super-springy, shockingly powerful smaller back with comfort in the passing game and contact balance than allows him to almost effortlessly run through tacklers at the second and third levels of the defense. Benjamin carried the ball over 500 times in the past two seasons for the Sun Devils at over five yards per tote with 26 touchdowns. NFL teams will like that he caught 77 passes in that time frame as well. Benjamin looks like a bouncy scat back with no power. He’s not. He’ll lower the boom after he makes both of your linebackers miss in space. 

Perine is the back you want if you’re more into a complete game instead of a true trump card and deficiencies in other areas. Perine runs low, with good lean and adequate bounce. He’s decently quick down the field and recognizes blocks as they pave lanes for him at the second level. He doesn’t stand out in any area but you’ll be hard pressed to find an area of his game in which he struggles. 

Dillon looked the part from the moment he stepped foot on campus at Boston College, as he ran for nearly 1,600 yards with 14 touchdowns as a true freshman in 2017. His high-volume career with the Eagles culminated with a nearly identical season the ground in 2019. At 6-foot and 250 pounds, Dillon is shaped like a fullback, and while he isn’t going to set the track on fire at the combine, he has suddenness in his cuts to run through tackle attempts. Seriously, Dillon is unfazed by the attempts by many linebackers and defensive backs to take him to the turf. 

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Lenovo is building another standalone VR headset

Lenovo hasn’t made the best bets in virtual reality so far, but it seems like the company’s about to try again — according to a new FCC filing for the “Lenovo VR3030S,” which company docs identify as an upcoming standalone VR headset.

Standalone means that like Lenovo’s previous Mirage Solo or the Oculus Quest, it shouldn’t require you to plug in a phone or PC, because the processing power is built right in. But where the ill-fated Mirage Solo relied on Google’s effectively defunct Daydream VR platform, a new headset will presumably run on a different one: perhaps Valve’s Steam VR, Microsoft’s Windows Mixed Reality, or maybe even Facebook’s Oculus?

Speaking of Lenovo’s unlucky bets in virtual reality, it’s a little-known fact that the Chinese electronics company was behind the Oculus Rift S headset — you know, the tethered PC one that wound up playing second fiddle to the standalone Oculus Quest. (Did you also know that a licensing deal between Sony and Lenovo is how the Oculus headset can basically have the same headband as the PlayStation VR? Well now you do.)

The Oculus Rift S. Don’t be surprised if Lenovo’s next headset looks a lot like this.
Photo by Amelia Holowaty Krales / The Verge

While the FCC filings don’t offer any other details on the new standalone VR headset, we’re curious if Lenovo will submit FCC certification documents for a new set of VR controllers, too — the Mirage Solo wound up relying on Google-built wands, although Lenovo did wind up building its own simple two-button sticks for its second-gen Mirage AR headset with Disney.

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Tv Shows

Is al-Masih Actually the ‘Messiah’? Viewers Weigh In on the Netflix Series – TV Insider

[Warning: The below contains some spoilers for Season 1 of Messiah.]

Netflix’s Messiah poses a difficult question to viewers — are all miracles real or can they be fabricated?

The show investigates this through the lens of CIA officer Eva Geller (Michelle Monaghan), who digs into a man named al-Masih (Mehdi Dehbi) who’s been gaining international attention through publicized disruption. His actions beg the audience and Eva to question if he’s actually performing miracles or just pulling one over on everyone.

So where do viewers stand when it comes to al-Masih? Do they think he really is the Messiah? Netflix posed that question via a poll on the show’s official Twitter handle this week. The results? A majority 65.3 percent of voters said no, he isn’t the Messiah.

Below, we’re taking a look at some of the responses fans have had to the poll findings. Where do they stand? Check out the varying thoughts, opinions and theories left in the comments and tune into Messiah to decide for yourself.

(Credit: Netflix)

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Sixers coach Brett Brown explains why they got caught with six players on the floor

Basketball doesn’t exactly lend itself to accidentally ending up with too many men on the court. It’s not like football, where substitutions occur on almost every play, or hockey, where lines shift right in the middle of the action. Subs in basketball only come during stoppages and need to be cleared at the scorer’s table before they can be made. It is very, very difficult to wind up with six players wearing one uniform on the floor during a regulation basketball game. 

And yet, the Philadelphia 76ers managed to pull it off. After a Furkan Korkmaz 3-pointer from the corner, Chicago Bulls coach Jim Boylen went absolutely nuts on the sideline. He was justified in doing so. The 76ers accidentally played that possession with six players on the floor. 

The confusion seems to have stemmed from the previous play. Luke Kornet went to the free-throw line for a technical foul. Somehow, a player managed to make it onto the floor without another coming off. The Sixers had Simmons, Korkmaz, Tobias Harris, Mike Scott, Kyle O’Quinn and Josh Richardson on the floor at the same time. Ironically, the Sixers wound up with only four players on the court, as Harris and O’Quinn both tried to scamper off when they realized what was happening. It’s no accident that they were the ones to do so. Sixers coach Brett Brown revealed after the game that O’Quinn was meant to come in for Harris, but the confusion stemmed from a new rotation. 

“We played a different rotation tonight, and sub kind of consistently over the years,” Brown said. “A group went in, wasn’t communicated, and that’s what happened. I’ll own that. It’s a direct result of playing new rotations and new people.”

The 3-pointer was ultimately wiped off of the board and possession was awarded to the Bulls. Still, it will be a long time before you see another one of those calls during an NBA game. 

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Dusty Baker is reportedly a candidate to be the Mets’ next manager

As part of the fallout from the Astros’ sign-stealing scandal, Carlos Beltran, who played for the Astros in 2017, recently stepped down as Mets manager and did so before ever managing a game for them. That means with less than a month before pitchers and catchers start reporting to spring training, the Mets — just like the Astros and Red Sox — are in need of a new manager. 

On that front, a source tells Mike Puma of the New York Post that veteran skipper Dusty Baker is a candidate for the Mets’ job. 

Baker, 70, most recently managed the Nationals in 2017. Across 22 seasons with the Giants, Cubs, Reds and Nationals, Baker boasts a record of 1,863-1,636 (.532). He guided each of those teams to at least one division title. Overall, Baker has 14 winning seasons and nine playoff appearances to his credit. Baker won a pennant with the 2002 Giants, and he’s presently 15th on the all-time wins list. 

Given the turmoil surrounding the Mets, hiring an established and steady hand like Baker, who also has a long record of success, makes a great deal of sense. He’s a respected figure in the game and by all accounts has tremendous communication skills. Baker also figures to be a candidate for the openings in Houston and Boston. 

Puma names Mets quality control coach Luis Rojas, bench coach Hensley Meulens and first base coach Tony DeFrancesco as other candidates for the Mets’ opening. Whoever gets the job will inherit a team that last season won 86 games in the tough NL East. The roster still includes the likes of Jacob deGrom, Noah Syndergaard, Pete Alonso, Michael Conforto and Marcus Stroman, among others. The Mets this winter also added Rick Porcello to the back end of the rotation and Dellin Betances to the bullpen. 

GM Brodie Van Wagenen has throughout his brief tenure treated his roster like that of a contender, and no doubt the new manager will be expected to lead the Mets to the postseason. Baker in the past has proved particularly adept at handling win-now rosters. 

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Ex Machina Comic Adaptation The Great Machine Gets Oscar Isaac in the Lead

Oscar Isaac has signed on to play a superhero, but not in the way one might expect. Isaac is set to star in The Great Machine. The project is set up at Legendary Pictures and serves as an adaptation of Brian K. Vaughn’s award-winning comic book series Ex Machina. Isaac, in addition to starring in the lead role, is set to produce the movie alongside his manager and producing partner Jason Spire.

According to a new report, Oscar Isaac has closed a deal to star in The Great Machine. Isaac previously starred in the Oscar-winning sci-fi movie Ex Machina, which was directed by Alex Garland and released in 2015. With that being the case, Legendary Pictures decided to change the title to The Great Machine, which is the name of the superhero Isaac’s character was known as in the comics. Anna Waterhouse and Joe Shrapnel (Seberg) are set to pen the screenplay. Brian K. Vaughn, whose other credits include Y: The Last Man and Saga, is also on board to produce.

There is no word currently on who may be eyed to direct. Though, it sounds like the project is in the relatively early stages. Ex Machina tells the story of a civil engineer named Mitchell Hundred, who becomes America’s first superhero after a strange accident gives him the power to communicate with machines. In the aftermath of 9/11, Mitchell retires from crime fighting and becomes the mayor of New York City. The comics focus much more on politics than it does superhero antics. With that, we shouldn’t expect the typical superhero fare, as this will probably be a different take on the genre.

Ex Machina was published by the DC Comics imprint Wildstorm starting in 2004. The series ran for 50 issues and was met with a great deal of praise during its run. It went on to win an Eisner Award. This won’t be Oscar Isaac’s first foray into the comic book movie world. The 40-year-old actor also starred as the main villain in X-Men: Apocalypse. Over the last decade or so, Isaac has become one of the most in-demand stars in Hollywood. Some of his other credits include Inside Llewyn Davis, Annihilation, A Most Violent Year and as Poe Dameron Disney’s recent Star Wars trilogy.

Oscar Isaac was most recently seen reprising his role as Poe once more in Star Wars: The Rise of Skywalker. He also voiced Gomez in The Addams Family. This year he is also set to star in Denis Villeneuve’s high-profile adaptation of Dune, which hits theaters in December. Next up for Isaac will be The Card Counter, which comes from First Reformed director Paul Schrader. The Great Machine does not yet have a release date set. We’ll be sure to keep you posted as further details on the project are made available. This news comes to us via The Hollywood Reporter.

Ryan Scott at Movieweb

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The Best Adventure Races to Sign Up for Right Now

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